"Yesterday morning. I saw him." "And was Mrs. Brigstock satisfied with your answer?"!

It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. A week later Owen Gereth came down to inform his mother that he had settled with Mona Brigstock; but it was not at all a joy to Fleda, conscious how much to himself it would be a surprise, that he should find her still in the house. That dreadful scene before breakfast had made her position false and odious; it had been followed, after they were left alone, by a scene of her own making with her extravagant friend. She notified Mrs. Gereth of her instant departure: she couldn't possibly remain after being offered to Owen, that way, before her very face, as his mother's candidate for the honor of his hand. That was all he could have seen in such an outbreak and in the indecency of her standing there to enjoy it. Fleda had on the prior occasion dashed out of the room by the shortest course and in her confusion had fallen upon Mona in the garden. She had taken an aimless turn with her, and they had had some talk, rendered at first difficult and almost disagreeable by Mona's apparent suspicion that she had been sent out to spy, as Mrs. Gereth had tried to spy, into her opinions. Fleda was sagacious enough to treat these opinions as a mystery almost awful; which had an effect so much more than reassuring that at the end of five minutes the young lady from Waterbath suddenly and perversely said: "Why has she never had a winter garden thrown out? If ever I have a place of my own I mean to have one." Fleda, dismayed, could see the thing—something glazed and piped, on iron pillars, with untidy plants and cane sofas; a shiny excrescence on the noble face of Poynton. She remembered at Waterbath a conservatory where she had caught a bad cold in the company of a stuffed cockatoo fastened to a tropical bough and a waterless fountain composed of shells stuck into some hardened paste. She asked Mona if her idea would be to make something like this conservatory; to which Mona replied: "Oh no, much finer; we haven't got a winter garden at Waterbath." Fleda wondered if she meant to convey that it was the only grandeur they lacked, and in a moment Mona went on: "But we have got a billiard-room—that I will say for us!" There was no billiard-room at Poynton, but there would evidently be one, and it would have, hung on its walls, framed at the "Stores," caricature-portraits of celebrities, taken from a "society-paper."

Fleda had had no one in particular in mind; she had never believed in the myrmidons; but the tone in which Mrs. Gereth spoke added to her suspense. "What did you do to them?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" In spite of this sharpness they were now almost equally and almost tremulously mild; though their mildness took mainly the form of an inevitable sense of nothing left to say. It was the unsaid that occupied them—the thing that for more than an hour they had been going round and round without naming it. Much too early for Fleda's train, they encountered at the station a long half-hour to wait. Fleda made no further allusion to Mrs. Gereth's leaving her; their dumbness, with the elapsing minutes, grew to be in itself a reconstituted bond. They slowly paced the great gray platform, and presently Mrs. Gereth took the girl's arm and leaned on it with a hard demand for support. It seemed to Fleda not difficult for each to know of what the other was thinking—to know indeed that they had in common two alternating visions, one of which, at moments, brought them as by a common impulse to a pause. This was the one that was fixed; the other filled at times the whole space and then was shouldered away. Owen and Mona glared together out of the gloom and disappeared, but the replenishment of Poynton made a shining, steady light. The old splendor was there again, the old things were in their places. Our friends looked at them with an equal yearning; face to face, on the platform, they counted them in each other's eyes. Fleda had come back to them by a road as strange as the road they themselves had followed. The wonder of their great journeys, the prodigy of this second one, was the question that made her occasionally stop. Several times she uttered it, asked how this and that difficulty had been met. Mrs. Gereth replied with pale lucidity—was naturally the person most familiar with the truth that what she undertook was always somehow achieved. To do it was to do it—she had more than one kind of magnificence. She confessed there, audaciously enough, to a sort of arrogance of energy, and Fleda, going on again, her inquiry more than answered and her arm rendering service, flushed, in her diminished identity, with the sense that such a woman was great.